雕塑系 | “2021中央美院本科生毕业展”作品推介

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“本科生毕业展”第一阶段已经闭幕,

第二阶段将于6月10日对外开放,

敬请期待。

所有观众(包括持邀请函及VIP卡的嘉宾),均需实名预约,佩戴口罩,经体温测量合格,验证健康码为绿码后,方可入场参观。预约方式详见文末预约参观二维码,建议先预约后购票。

开放时间:周二至周日9:30-17:30

(17:00停止入场),每周一闭馆。


第一工作室 

作品介绍


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姓名:郭龑鹏

作品名称:《亲密关系》

作品材质:树脂着色 

作品尺寸:尺寸不等

指导教师:孙家钵 、王伟、 牟柏岩、 段海康、 李展 

作品描绘的是我与我的亲妹妹,疫情的一整年使得我们相处时间比以往都长,我想记录她的十五岁与我的二十五岁。


作品介绍

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姓名:陈光耀

作品名称:《野草集》

作品材质:树脂着色 、木桌、抽屉、书本

作品尺寸:尺寸可变

指导教师:孙家钵 、王伟、 牟柏岩、 段海康、 李展 

我想运用非线性的叙事手法将现实、梦境的冲突,通过雕塑的语言表达,将个体成长中的生命经验用诙谐象征的手法表现出来,仿佛一些支离破碎的梦,然后又将其重新组合在一起,通过空间维度拆分,从桌角到墙面的形象是自我凝视下的梦境与现实的对话,趴在墙上往下凝视的小孩是作品现实与梦境的开端,踩踏书本垫脚张望的孩童象征了求学的人生经验,被书压着的人好像是迷醉在知识里又像是逃避现实躲藏在体制中的人,随抽屉飞升沉睡的人即困宥于此又似沉醉于这边角四方,梦中的沉醉映照着现实的困局,在墙面中心一双在抽屉中折纸飞机的手寓意了成长中的梦想,左上角双手并拢痴痴凝望的人,和托着脑袋发呆的少年,这些凝视是梦中的沉默也是生活中的思考。

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作品介绍

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姓名:杨澜宇

作品名称:《主角》

作品材质:树脂着色、白石子

作品尺寸:可变

指导教师:孙家钵、王伟、牟柏岩、段海康、李展

很久很久以前,人身上就种下了彼此的情欲,要恢复自己原本的自然,也就是让分开的两半合为一体,修复人的自然。我们天性如此,我们本是完整的,我们渴望和追求那完整。


作品介绍

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姓名:徐圣伦

作品名称:《安眠曲》

作品材质:树脂着色

作品尺寸:尺寸不等

指导教师:王伟、孙家钵、牟柏岩、李展、段海康

每一个人都处于正在“死”的过程中,经过一段或长或短的倒计时后最终走到“亡”。走向死的过程跋山涉水,历经苦难。途中偶尔的快乐作为点缀出现,是完全不可依赖的。到达亡时,曾经艰难走过的一切苦乐,皆如南柯一梦。无论得到与失去都化为毫无意义的梦幻泡影。而在这短暂的生命中,能做的只有更真挚地接受这一切。



作品介绍



姓名:于筱婧

作品名称:《桃子》

作品材质:布、棉花

作品尺寸:400×150×150cm

指导教师:孙家钵、王伟、段海康、牟柏岩、李展


情绪和幻想叠加在一起。




第二工作室 


作品介绍


姓名:张明

作品名称:《"摩天"》

作品材质:陶瓷

作品尺寸:70×80×110cm

指导教师:陈科、申红飙、周思旻、柳青、杜英奇


作品以陈旧筒子楼为原型,1380度高温陶泥着釉与色粉烧制而成,每一个角落都是一个故事。以多层摩天大楼效果为最终展现形式。主要体现人与建筑的依护关系,从群体生活的角度展现社会碎片与社会整体的构成关系,城市与老旧建筑的推革关系。



作品介绍



姓名:王友杰

作品名称:《我的精神世界》

作品材质:纸板、皮革

作品尺寸:尺寸不等

指导教师:陈科、申红飙、周思旻、柳青、杜英奇


借中世纪艺术中的形象,描述自己不断地与自己内心做斗争时的精神世界。



作品介绍



姓名:许飞翔

作品名称:《痕》

作品材质:陶瓷、金箔、玻璃钢、木

作品尺寸:尺寸不等

指导教师:陈科、申红飙、周思旻、柳青、杜英奇


鸟归沙有迹,帆过浪无痕。


《痕》是在美院五年的毕业创作,作品通过陶、木、金箔等材料结合表现,意图去传达自身对造型的表现和人物情感的传达,尝试在造型处理上体现时间意境与人物之间内在矛盾力量。其主题通过生活中息息相关的内容去表现对亲情、爱情以及明天的思考,是自我一种内在情绪的传达,也希望通过这种对造型规整、组合与场域的结合而传达的意境与审美去感染观者。




作品介绍



姓名:陈璐

作品名称:《桃源·边界》

作品材质:石膏、黄土、金箔、木头、麻绳、铁丝

作品尺寸:尺寸不等

指导教师:陈科、申红飙、周思旻、柳青、杜英奇


作品灵感来源于对当下人们生活状态中心境变化的一种思考,是对“理想与现实”“生与死”的相对关系的重新认识和解读。“桃源”即“理想世界”、“生的希望”,是人于一生之中渴望又难以触及到的精神边界,也是每个人心中虚化出的场景,如海市蜃楼一般具有欺骗性和蒙蔽性,使追寻者迷失自我。而人自身便是寻找这个问题答案的“渔夫”,我把二者的相遇以“盒子”为载体语言去表达与呈现,试图展现出我对于这个问题的定义与解读。



作品介绍



姓名:石隆毅

作品名称:《泛娱乐时代》

作品材质:虚拟材质、VR

作品尺寸:尺寸不等

指导教师:陈科、申红飙、周思旻、柳青、杜英奇


笔者是当今娱乐文化的忠实追逐者,在大学的五年的时光中应该有三年半都是在电脑前度过的,因此也耗费了大量的时间沉迷在这些简单琐碎的电子娱乐中。直到临近毕业才真正有所反思,创作了这个作品。在这样的泛娱乐潮流中不应迷失自我,很庆幸我在这几年中也利用网络认真学习了数字建模等技术,没有荒废大学的时光,也感谢二工作室全体的老师们对于我的栽培,对我坚持的道路长久以来的支持和鼓励。



第三工作室 


作品介绍



姓名:郑美赢

作品名称:《游记的诞生》

作品材质:影像、帐篷

作品尺寸:尺寸可变

指导教师:于凡、展望、梁硕、姜杰、张一


一名考察员在一片未知的森林中不断探索,积累微薄的经验,在犯错和吸取经验中往复循环。



作品介绍



姓名: 金珂尔

作品名称:《Jangar》

作品材质: 石膏、皮绳

作品尺寸: 100×90cm

指导教师: 于凡、展望、姜杰、梁硕、张一


以浮雕表现形式,表现新疆蒙古族史诗《江格尔》的人物之一的江格尔骑马像。背景为托忒蒙古文刻写江格尔的出身和经历。



作品介绍



姓名:金雨蓓

作品名称:《你的光》

作品材质:玻璃、亚克力

作品尺寸:180×100×300cm

指导教师:展望、于凡、梁硕、姜杰、张一


阿波罗掌光明,他成为了世上万万众人的光,他的光却在一场闹剧中永远地化为河畔姿影婉约的月桂树。枝叶成为桂冠,木材用做竖琴,花朵装饰长弓。永恒的年轻镌刻下不朽的光阴。阿波罗与达芙妮的终曲在一开始就有了先兆。将自己的光寄托在这个作品中,三棱镜之间光的散射交互组成不可复制的视觉盛宴。观者可以在光的世界中感受独属于“你的光”。



作品介绍



姓名:高田

作品名称:《Core》

作品材质:木,棉,油脂,布料,视频等

作品尺寸:240×185×180cm

指导教师:于凡,展望,姜杰,梁硕,张一


这个作品是我为自己造了一个洞穴,可拟人化的,无安全感的。身体经验、分泌物、可偷窥、母体、痛感、吞噬感,在原始的斗争和苦难中产生的能量场。木头作为既有安全感又带有破碎性的视觉语言的框架,中间悬挂着裹有油脂的软材料雕塑,与顶部的床架构成完整的空间。在这个空间中痛苦与挣扎会始终伴随着生长物的诞生与消亡,同时带来一种矛盾挣扎的情感张力。




作品介绍



姓名:金孝俊

作品名称:《在中国六年的记忆,D310》

作品材质:铁

作品尺寸:300×390×335cm

指导教师:于凡、展望、姜杰、梁硕、张一


人们结束一天的工作回家写日记或者在SNS上记录一天结束。可以重读日记,或者看着手机相册、SNS记录,回想起过去。作者是韩国留学生,想把整个留学期间记录在作品中珍藏起来。再将6年来一直居住的留学生宿舍楼按照自己的记忆进行制作的过程中,我回想起很多回忆。身在韩国也可以直接进入作品中,完整地展现在中国的记忆。




第四工作室 


作品介绍



姓名:任子凝

作品名称:《她的花园》

作品材质:行为、影像、文本、声音、透明PVC膜架

作品尺寸:250×250×200cm

指导教师:曹晖、吕品昌、孙璐、萧立、耿雪


《她的花园》系列作品(文本,影像,声音,行为,绘画)从去年夏天持续至今,它建构在我的虚构小说《LAN》上。我一直在通过它们探索女性身体意识,生理、情感与创伤。


我虚构了一个女性角色,Lan。她是一个巨大的母体的符号,小说中我被Lan吸引并一直在寻找她。这里的空间和时间是扭曲和混乱。叙事处于一种情感化的状态,在文本中持续积累着压力。这件在央美美术馆中进行的行为/绘画装置作品,在透明的薄膜上绘画是建构这个世界的过程。透明软膜内是lan的体腔,因其透明的性质具有公众观看的互动性,随着我的绘画,框架内外的世界渐渐区别开。我表演的是虚构世界里异化的叙事。框架中央放置着声音作品。



作品介绍



姓名:陈昭辰

作品名称:《困兽》

作品材质:金属、硅胶、机械等

作品尺寸:230×150×260cm

指导教师:曹晖、吕品昌、孙璐、肖立、耿雪


 “如我冲出铁幕笼罩的四周,请别再试探我的自由;那些未知的正在消亡,正如我们未曾来过。”


存在于世界上的每个生命体都不是独立的,我们在伤害与被伤害中生存。作品构造了具象性的拉扯与撕咬,喻示个体与外界的关系。在场景内的机械运动下,类似肉体的蛹在钢夹和铁板之间挣扎,从视觉上直观展示于剧场之外的观众,在凝视之下,得以见内心的疼痛。



作品介绍



姓名:马煜明

作品名称:《蜂巢》

作品材质:玻璃钢、漂流木、PE塑料、电线、墨

作品尺寸:200×150×300cm

指导教师:曹晖、吕品昌、孙璐、萧立、耿雪


将细节质感与起伏变化局限在原始的简单几何形体内,使内部细节与整体完整同时强化。吸收现实质感与视觉效果,重组为一个概念的形态,源于衰败的景观。作为重要部分的管线,突破球面的完整,其自身的原本功能自然是“输送”,而管线的两端在概念上固定为一出一入。



作品介绍



姓名:徐文翎

作品名称:《生·息》

作品材质:陶瓷、金属、玻璃、旧家具

作品尺寸:210×210×260cm

指导教师:曹晖、吕品昌、孙璐、肖立、耿雪


作品《生·息》由陶瓷、玻璃、金属、旧家具等综合材料构成。以荒诞剧场般的展示形式,表达一种病态的精神美学和道德观念。人物形象以麻木的机械化的人们用寻求新鲜刺激的事物以获得片刻欲望满足的一之重复的病态生活,以及对社会和医学所定义的精神病为原型,做出的自我理解及描绘。



作品介绍



姓名:黄登科

作品名称:《25号宇宙》

作品材质:木、玻璃钢、麻布、led等

作品尺寸:182x40x188cm

指导教师:曹晖,吕品昌,孙璐,肖立,耿雪


老鼠实验的前24次皆以失败告终,在第25次实验中是否会有其他可能?本作品将老鼠赋予到人类社会般的场景,试图讨论老鼠实验与现实之间的距离与可能性。



作品介绍



姓名:李泳虹

作品名称:《我们都曾踏过这条河流》

作品材质:陶瓷、金属、玻璃

作品尺寸:240×210×46cm

指导教师:曹晖、吕品昌、孙璐、肖立、耿雪


《我们都曾踏过这条河流》是以光影和⼯业陶瓷为作品的主要因素,是⼀件充满互动性的光影装置作品。利⽤作品中的光线元素以及独特的⼯业材料还有观众的身体参与,将观者带⼊作品,从身体触觉以及视觉的⻆度营造⼀种多样性的感官体验。




第五工作室 


作品介绍



姓名:张诚麒

作品名称:《物外之趣》

作品材质:综合材料

作品尺寸:200×170×200cm

指导教师:孙伟、柳青、梁尔亮、张德峰、张兆宏、胡泉纯


如果用独特的视角去观察,看待寻常物品,那么物品会变得很有趣,即物外之趣。我采用的视角是儿童的视角,儿童的视角没有规则和限制,很自由,很好玩;而成人的视角往往是拘束和限制的。我选用的视角可以打破这种拘束和限制,从而表达出对拘束而限制的现实的一种幽默的反叛。



作品介绍



姓名:吕世豪

作品名称:《金玉其外》

作品材质:综合材料

作品尺寸:尺寸可变

指导教师:孙伟、柳青、胡泉纯、卢征远、张德峰、张兆宏、张宇彤、梁尔亮


当资本主义蒙蔽了我们的双眼,吹起我们的虚荣与自大,我们是否还拥有冲破“金玉”的力量?



作品介绍



姓名:徐宛诗

作品名称:《归尘》

作品材质:土、玻璃、亚克力、铝型材

作品尺寸:180×160×190cm

指导教师:胡泉纯、孙伟、柳青、张德峰、张兆宏、卢征远、徐晓楠、梁尔亮


尘归尘,土归土。这个世界上我们所创造的一切物质,终归成为尘土。



作品介绍



姓名:翟峻鹏

作品名称:《现实的真实》

作品材质:显示器、亚克力板、摄像头、金属框架

作品尺寸:270×180×240cm

指导教师:胡泉纯、孙伟、卢征远、柳青、梁尔亮、张德峰、张兆宏


在数字时代中真实是被不断消解的,真实已经逐渐被主观的虚荣心所取代。通过艺术手法表现纷乱虚假的存在对于真实自我的侵蚀。



作品介绍



姓名:刘童

作品名称:《插图》

作品材质:艺术文本生成器、作品说明、30件作品

作品尺寸:尺寸可变

指导教师:孙伟、胡泉纯、张德峰、张兆宏、卢征远、柳青、粱尔亮


我从网络爬取大量艺术类文本,以此作为语料训练了一个AI(人工智能)*,使它能够自动生成艺术文本。我服从于生成的文本制作作品。也就是先获得通常意义上的作品说明,后制作作品。


* AI基于JPT2-Chinese, 文本数据来自于:艺术门户网站、网络论坛社区中艺术类话题文本、艺术类微信公众号、搜索引擎艺术类词条的搜索结果等,共250,303,623字节。


《无题》  LED霓虹灯,亚克力  180×77cm  2021


这件作品的材料是什么?如果说这是一件事实上的,我觉得我的作品就是一个特别的语言,一个语言是什么,我就觉得这个语言有了不同之处,我觉得很多语言是不同文化背景,是有一个特别的特别语言,我觉得语言是有一点特别的语言语言的语言语言,但是这种语言语言的语言表达,就是语言语言的语言语言语言语言语言语言语言的语言表达。这就是为什么选择语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言的语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言的语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言的语言语言语言语言语言语言语言语言语言语言语音语言的语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语统语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语言语。


《自在的世界》  单频影像  35分46秒  2021


这件作品虚构的“现场”和“虚拟的感”之中,“现场”是一种虚拟的虚构与幻想。在展品《自在的世界》中,艺术家用“虚拟的”了现实的方式,在观者的视角中发现,并将这种真实的存在感转换成对现实现实和现实的探究,并且试图呈现“现场”和“现场”的内在联系。展览现场的《自在的世界》将一种幻境的视角,让我想起一部分“现场”的“现场”,一部分的“现场”在现场的“现场”,这两个现场的“现场”同是艺术家通过现场创作而建立的“现场”的过程。


《无题》  电子图像  2480×1440像素  2021


作品《天堂》以此表达他的思考和他对世界和世界的关系。他创作作品《天堂》,用不同材质,表现了人对宇宙、人类的关怀和关怀,他的作品《天堂》系列中的天堂,以及《天堂》系列。2019年以前一种风格为主,是他对人类的反思与反思,同时又将人类的精神生活融入一个中国当代,以人类的精神世界为主体,用人的精神世界来对待,以此表现人与自然的关照。在他的《天堂》作品中,人类在一个自然、人类的世地,在一个自然里,人类生活中的世界,以人类的精神世界为主体,在一片荒芜、荒芜、人性之中,这些主观世界,在他看来这是一个巨大的、不断发现的,人类的精神世界,人类的精神世界,人类精神世界,人类的精神世界。他的《天堂》以人类世界为主角,在人类的精神世界里,在每个个体的精神世界里,世界的精神世界,这就是人类精神世界的一个重要的精神力量。


《天书》   镜面纸,装订圈  12×20cm  2021


作品《天书》的第一个章节是由艺术家本人自由撰稿的。他的作品《天书》中,一个人在他的作品中被赋予一种“天书”的感觉,也有的“天书”。他的这件作品,包括一个个人在内的一些作品,有的是《天书》这个东西,有的就是他自己所创作的。这样的结集中了艺术家的一些作品,我想,可能我们可以说我们在这里谈论的就是天书的意义,所以他在讲“天书”的时候,他会在一个大的书里面做这类作品,然后把它放到天书上。他的作品也有一种东西,这个东西是一种意义上的,我想他能够把一些天书翻了下来,他把它做得比较完整,所以我们在一个书里边做了一些作品,他做了这种东西,他的一些东西跟这个东西,所以他做了这些作品,我们可能这样做的事情,这是他的艺术家自觉地去做。他在讲的是“天书”的东西,我想讲一下他就是天书。


《红灯》  印刷品,爆闪灯  100×100cm  2021


作品《红灯》中,他用“黑色”与“白色”、“光”,把这个作品带入了作品中,并且将他的“绿色”与“红色”结合,使观者更进一步了解他的艺术生命,从而形成艺术家对自身艺术的一种“自我”的一种反叛与颠覆,以此表达对“纯粹”的关注。他将自己从自己“白色”中获取灵魂的艺术形式,将“色”和“色”两种形式融合起来,在艺术上又在不断的融合中产生“色”与“色”的关联性,以及对人类生活的感觉。艺术家在这种表达上不断重新审视自我,以“色”的方式,探讨人与社会、人与自然与世界的关系,重新审视我们的生活与自身的关系。


《无限的无限可能》  印刷品  21×30cm  2021


作品《无限的无限可能》作品都是一件艺术品,这些作品都是由画册上写的,一个艺术家自己的身份与作品构成,艺术家自己的身份也是一个完全不同的体现。但这些身份与作品的艺术形态有时不太一样,在这个时代,艺术史的艺术创作和艺术作品的价值是不一样的。我们可以从中国当代的艺术创作,中国的当代艺术的发展是一个很好的概念,这个是不是我们的艺术,这个概念也是不一样的,艺术史是这样的,这个概念,当代艺术也是不一样的。这个是不是把艺术作为生活,还有这样做的。这个概念可以说是有问题,这个东西对,我想这个东西不太一样,我们要做的东西就是艺术,你可能这个东西是生动的,这个东西是不一样的。所以说艺术就是这样,你要做的都没有。


《无处不在场》  现成品  67×30×198cm  2021


这件作品中涉及到的是,这个作品中的这种材质就是在作品《无处不在场》里的某种东西。而在这一系列中,我们将所有的“物”的物件与“物”进行了一些相似的关联和联结,它也许并不是那么简单。所有的物件都是在“物”的时候,它们都是在不同材料之间进行的。所有物品的物品都是一种物件或一种物体的,也许只是一种物的物理属性,或一种物的物质属性都是在一种物质或一些物件之间的关系。所以,这次“物”的作品是用物,来表达物体的物质属性,来体现物体的存在方式。所以,对物的“物”的意义进行了一种思考。在“物”这个系列里,“物”的物象的物化的意义进行了一种思考,而物化的物质在物的本质形态里,它的物质属性是不是在物本身或是在物种上的某些意义,是在物象的时候,它的存在物质所呈现的物质属性的特征是物与生命相关的物,而不仅是物体所在的物的存在物。如,作品的存在物,物,物,物之物,人在物的物化物之物的本质形态之中,物是物的,物的存在物,物的生命也就在物质的存在物,物与物的存在物之间的关系。因此,物的存在并非是人的存在的形象的物质的存在物,而是物的存在,物的存在物。


《无尽头脑中的小鸟》  单面镜,半透镜,假人模型,鸟标本,LED灯条,呼吸灯模块  45×45×35cm  2021


作品《无尽头脑》和《无尽头脑》中的作品都是由自然的组合而成,其中一件作品的灵感来自于一个无尽头脑般的小鸟或小鸟,他们将其看做是一种超现实主义的绘画方式与现实主义相对接的表达,并且在作品中将其自身的表达与对立,并且在这种超现实主义方式上形成了鲜活的对比。《无尽头脑中的小鸟》是一种在表达现实的表现,一种对生活的关系,一种对现实的观照与再现,另一种对现实存在的观照,一种与现实有关的表达,一种对象的描绘,也是对现实存在的一种表达,一种关照和再现。在这件作品中,我们可以看到艺术家的创作过程,对于这位小鸟画家和作品的创作过程。《无尽头脑中的小鸟》是一种对于“无尽头脑的无尽头脑”的感情,但这件作品的形成的过程让我们不得不以看懂、感觉到的东西,而是把这一作品呈现得更为纯粹化和深化,更让我们更加关注和思考。这种感情表现在观者的视野里不能看到一个“无知”或“无知”或“无知”的空间,而是通过这种感知来表现“无处”。这些看似无关乎无常,但又不是“无用”,也无法用“无用”,“无用”,“无用”。



第六工作室 


作品介绍



姓名:王钦正

作品名称:《众生相》

作品材质:综合材料

作品尺寸:200×200×100cm

指导教师:杨靖、张伟、王少军、吴永平


当今社会环境下,每个人都有其内心的一面,在不同环境和情况之下会有多种内心面貌。以“我”为例,展现各种情况下“我”的面。一张面孔却同时存在“喜怒哀乐惧嗔”,形于色,却也不显于表。以小我,来影射大众。一人千面,千面一人。谦卑是我们表现的外在,内心也可以精彩丰富。十二个面具,一个轮回,情绪周而复始。



作品介绍



姓名:毕成

作品名称:《河流》

作品材质:树脂着色

作品尺寸:300x90x150cm、 75x120x240cm

指导教师:杨靖、张伟、王少军


我的创作是从人的心境和状态出发的。希望用河流当作一种环境,将动物和人的形象糅合在一起,用象征的手法来呈现出一些我认为非常重要的生命的片段。这些片段也许是共性的,但更多来自我非常个人的经验。其实就像趟过每一条河流的同时,我们自身也成为河流。



作品介绍



姓名:张艺嘉

作品名称:《伤痕系列——拥抱丨温柔丨重生》

作品材质:回收站废品、羊毛、羽毛、蕾丝等

作品尺寸:尺寸可变

指导教师:杨靖、张伟、王少军、吴永平


当满身的凹陷被填满,

锋利的边缘不再尖锐,

烈火的痕迹变成勋章,

大口大口呼吸,

告诉我现在是多么的好。


《伤痕系列——拥抱》


《伤痕系列——温柔》


《伤痕系列——重生》



作品介绍



姓名:张斌尧

作品名称:《作茧自缚》

作品材质:紫竹、线

作品尺寸:尺寸可变

指导教师:杨靖、张伟、王少军、吴永平


人的思绪对自身的影响如作茧自缚,难以明悟的困扰一步步的包裹自己,如能冲破迷雾了悟真谛,方能如蚕破茧重生。



作品介绍



姓名:余松遥

作品名称:《神驰》

作品材质:uv胶水、pc板、纱布、灯

作品尺寸:尺寸可变

指导教师:杨靖、张伟、王少军、吴永平


沉浸入思绪,像是一场深海潜水,也像是白云飞天一般,静谧、清盈、空透、 也波光粼粼。


作品以期营造一种似潜海似飞天的视觉感受,表达虚然清透的精神状貌和超脱形物的自由状态。愿为在工具理性当道物累繁冗到几近窒息的时刻中传递一丝微光,在个人精神和价值理性中寻得一份静笃。



作品介绍



姓名:孔儒玮

作品名称:《似我非我》

作品材质:玻璃钢着色、毛毯、摄像头、显示屏等

作品尺寸:200×200×220cm

指导教师:杨靖、张伟、王少军


这组作品描述的是躁郁症患者的状态,学名为双相情感障碍,以我本人平时状态为切入点,这三个形象分别代表忧郁,狂躁,过喜,大部分患者都是在这三种极端情绪中反复横跳,没有缓冲,对情绪把控能力很弱,我在这件作品中试图去做“我自己”,也尝试去接纳“我自己”,这是“我”,但也不是全部的“我”,以三个形象为一组的方式,去看"自己”,眼见不一定为实,所说不一定为真,后面的显示屏呈现内容也与实际行动方向相反,每组左右两面显示屏也有上下倒置,双重相反效果下,更需要仔细去观察“自己”到底在哪里,毛毯的存在让情绪坐落在柔软的内心深处。它既是“我”,也并非是“我”,找找“自己”在哪里吧。



作品介绍



姓名:黄勇鑫

作品名称:《香火》

作品材质:香樟木着色

作品尺寸:150×60×20cm

指导教师:杨靖、张伟、王少军、吴永平


借传统木雕花板的形式、以叙事的手法表达传统宗族理念下亲情的温暖和血脉的延续。




Child Public Education Reservation Form

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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

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